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Contents • • • • • • • • Predecessors [ ] Initially Russian could not glory in original work: the Atlas Marksa (1905), for example, was merely a translation of German Neuer Handatlas by Debes. The large Atlas Mira (1st Russian edition, 1954), with some 200,000 names meant a very special [ ] achievement. An English editions later followed ( The World Atlas, 2nd ed., 1967).

A similar Soviet project Bolshoi Sovietskii Atlas Mira, which was intended to be the most comprehensive atlas of modern times, remained, however, incomplete due to WWII; only two out of three planned volumes (1937/39) were published. Editions [ ].

This section needs expansion. You can help. ( August 2017) The third edition was made in 1999 by the Federal Service of Geodesy and Cartography of Russia. As a revised and updated world atlas since it first published in 1954, this atlas which combined maps and index into one volume is the only world atlas that guaranteeing that users will find the most current geographic information.

That is the most authoritative atlas on the market only in both Russian and English. Providing the finest global coverage available, this Atlas is not only the best-selling volume of its size and price, but also the benchmark by which all other atlases are measured. This atlas in third edition bringing each featured landscape to life with detailed terrain models and color schemes and offering maps of unsurpassed quality, this atlas features the main atlas, and an easy-to-reference index of all 240,000 place names.

All maps enjoy a full double-page spread, with continents broken down into 286 pages of carefully selected maps. See also [ ] • • External links [ ] • on David Rumsey Map Collection • Further reading [ ] • Novikova, T.G. The World Atlas. Federal Service of Geodesy and Cartography of Russia. Moscow, 1999. • Theodore Shabad,, Geographical Review, Vol. 2 (Apr., 1956), pp. 289–291.

• Terence Armstrong,, The Geographical Journal, Vol. 1 (Mar., 1966), p. 157.

• Mira 3 manual.qxd 11:24 Page 1 Contents Introduction.1 Design Innovation.2 Installation.3 Ventilation.4 DC and Short Circuit Protection.5 Pre-amp Output and Power-Amp Input.6 Input Connections.7-9 In Use.10-12 Loudspeakers & Cable.13 Bi-amping.14 Specifications.15 Troubleshooting.16-20 Input sensitivity and pre-amp gain level.21 Owners Log.22. • Mission Statement Rega’s philosophy is to make high quality products at sensible prices, as a means of reproducing music as faithfully as possible. Rega is committed to the design and development of new and existing products, both in hi-fi and other areas, that. • Mira 3 manual.qxd 11:24 Page 3 Design Innovation In common with all REGA products, the Mira 3 amplifier has been designed without compromise. Our time and money has been spent on developing the unique circuit design and using unusually high quality components. • Mira 3 manual.qxd 11:24 Page 4 Installation The Mira 3 will work well on most surfaces, such as a shelf or a table, provided there is sufficient air around it to prevent overheating. To avoid magnetic interference, site the Mira 3 as far away from the turntable as the tonearm lead will allow.

• Never place the amplifier on carpet, rugs, bedding or other hi-fi equipment. Note: If the Mira 3 is driven at high volume for a long period, it will become quite warm.

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This is entirely acceptable and as long as there is sufficient ventilation, the amplifier will continue to work quite normally. • Mira 3 manual.qxd 11:24 Page 6 DC Protection The Mira 3 has a circuit which protects the speakers from direct current in the event of a major failure of the system. Short Circuit Protection If in the event that the speaker leads are shorted, the fold back short circuit protection will protect the output stage from excessive currents.

• The pre-amp outputs and power-amp input use RCA type (phono) connectors. Any adjustments made to the power amp link switch and gain must be carried out by a authorised Rega dealer. If work is carried out by any person other than a Rega dealer it will invalidate your warranty. • Mira 3 manual.qxd 11:24 Page 8 Input Connections All the inputs and the tape outputs are made via RCA (phono) type connectors. The sockets on the REGA amplifiers are clearly marked red and white. Right: always the lower row and marked in RED.