Write something about yourself. No need to be fancy, just an overview. No Archives Categories. Wynter 18.10.16 17:21 comment4, skachat_maikrosoft_ofis_2015_besplatno_dlia_vindovs_8, cagfh, Skachat. Sludinājumi Latvija un Rīga. Vislielākais sludinājumu serveris Latvijā. Vieglie auto, vakances un darbinieku meklēšana, kravas automašīnas, motocikli un velosipēdi, autoserviss un rezerves daļas. Programma dlya podmotki spidometra gratis.

Recommend Documents. Stan Getz - Omnibook. Great tenor sax solos by Stan Getz in his Bossa Nova period.Full description. Wave (Stan Getz.

If you're familiar with, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. The story of (1927-1991) has to begin with. Before Young, tenor sax players seemed awash in testosterone. Their sound was full, rich, deep, blown hard out of the instrument's lower registers, with emotion pouring out in lavish swoops and honks.

Then along came Lester. In the post-war 1940s, he invented a new way to play the tenor sax: softly, effortlessly, with no wasted notes, and above all, without drama. There was emotion, of course, but it was kept under wraps. Cool, in other words. And this approach didn't end with Lester. He became the musical role model for Getz and a generation of tenor sax players who aspired to coolness. Getz had a long and remarkably successful career, stretching from the very early 1950s to 1991, the year he died.

After honing his skills with the and bands, it didn't take long for him to achieve fame as a tenor sax phenomenon. Getz's warm, pure tone, and the lightness of his touch, set him apart early. And with the remarkable sales of his Grammy-winning bossa nova albums, he achieved a level of commercial success seldom experienced by jazz musicians. Stan Getz was a restless artist. His music changed and changed and changed again over the years, until, near the end of his life, he came nearly full circle.

Eliot described this kind of personal journey in his 'Four Quartets': 'We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time.' He could have been describing the arc of Getz's career. Getz's early recordings, largely from the 1950s, are lyrical, beautifully simple. They're mainly improvisations on jazz standards, in which he concentrates on melody, on weaving countless variants on familiar themes. There's a lightness, a gentleness, even in the up-tempo numbers. The rhythm section is supportive but discrete, never intrusive. In the early 1960's, Getz became a leading light in the bossa nova movement, a blending of American jazz with Brazilian rhythms and sensibilities.