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Whenever you hear 'don't worry—we'll fix it in post,' a red light should go off in your head. Those who say it on set often don't solve the problems; the burden will fall on you, the editor. Luckily, many issues can be solved at the post-production stage, and this course teaches you how. Premiere Pro guru Eran Stern touches on topics such as white balance, relighting, flicker and banding problems, shaky footage, cosmetic skin issues, video noise, color matching, and even common audio problems. The techniques shown rely on collaboration with After Effects as well as third-party plugins that augment Premiere Pro. Instructor •. Eran Stern is a teacher and motion designer with over two decades of experience in post-production.
Combining his experience as a TV post-production designer and a commercial artist in the world of graphics with a passion for teaching, Eran is using his expertise to 'spread the word' about motion design. He's a recognized Adobe expert trainer and an in-demand speaker.
He regularly gives talks at local and international conferences like NAB, After Effects World, and Premiere Pro World and is one of the top speakers for Future Media Concepts, where he is also a program manager on the creative team. Eran is the author of popular video tutorials and training series for lynda.com, Adobe, and other top productions and software development companies. In 2007, Eran founded. Eran is also the head of the Motion Graphics department at the Shenkar College of Engineering and Design in Tel Aviv. Free piano music to print. Prior to that, Eran was one of the leading mentors in Bezalel Academy of Arts and Design, which is part of the Hebrew University of Jerusalem.
By: Eran Stern course • 1h 45m 2s • 2,929 viewers • Course Transcript - According to the Boris FX website, the primary purpose of the BCC Pixel Fixer effect is to fix bad pixels caused by dirt on the sensor in a digital video or still cameras. Well, I'm sure it works perfectly under those circumstances. Yet I found another way to use it in order to clean some of the leftover's debris in our footage. So, in order to pull off the same trick that we did with the After Effects Clone Brush tool, as we can see over here at video number two, we are going to rely on a third-party effect that run inside Premiere Pro and meant to help you with bad pixels. So, just to show you once again the original, I'm going to switch off the visibility for video number two, and I'm going to select the clip that we are already stabilized over here, and this is the clip that I want to treat. Once again, I'm going to play the result for you, and I want to get rid of those dirt on the floor.